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TriCon Retrospective

My husband and I been to a number of fiction conventions over the years–CanCon, StokerCon, AuthorCon, etc.–all of which we’ve enjoyed, but the inaugural Trident Conference for Speculative Fiction (TriCon, for short) stands out on all fronts. Hosted by the Trident Booksellers and Cafe in Halifax, Nova Scotia (taking place in various locations around the Westin Nova Scotian hotel) May 15-17, 2026, TriCon was a great first-time event and offered a wide selection of activities, from panels, kaffeeklatsches, blue pencil cafe sessions, signings, launches, and demonstrations to an “Editorial Idol” session and a ghost-walk of old Halifax. The panels (both those on which I spoke and those we attended as spectators) were engaging and well-moderated, and the breaks between panels allowed me to manage spoons.

It’s taken me about a week to get my thoughts in order, but here–only a week late–is an overview of our experience.

Trident Booksellers and Cafe and Kaffeeklatsches

Trident Booksellers and Cafe organized the con and was the location of the various kaffeeklatsches. Trident is a welcoming space with just the right balance of bookshelves and tables, inviting you to disappear into the stacks or socialize over hot drinks and treats. We signed up for a kaffeeklatsch with David Demchuk, author of the award winning and VERY Canadian horror novels The Bone Mother and Red X, as well as the 2025 release; The Butchers Daughter. As an author whose debut is coming out with a small press, I wanted a chance to ask David about his experiences working with both small and large publishers. The combination of a small group (six people), book store setting, and complimentary drinks from Trident made for a cozy and informative conversation. A huge thanks to David for sharing his publishing journey, giving me advice on managing signings (apparently using a custom stamp is something other disabled authors do, which is a huge relief given my TBI and dysgraphia!) and signing my copies of Red X and The Butcher’s Daughter!

Panels

One of the things that stood out at Tricon was the variety and quality of the panels. I spoke on three (and attended a pile more), all of which delivered really interesting and thoughtful conversations.

North American Fantasy (Friday May 15, 4pm): The first panel in which I participated was the North American Fantasy panel, moderated by Toril Orlesky and featuring guest of honour Amal El-Mohtar, Jennifer Giesbrecht, and myself. The conversation started broadly with an attempt (somewhat unsuccessful, but it sparked a really good discussion) to define North American Fantasy, and then dove into a very interesting exploration of whether North American Fantasy exists in opposition to traditional Arthurian-inspired fantasy or builds upon it in a way uniquely grounded in the North American landscape. We came to agreement on the idea that fantasy–and all speculative fiction–has roots that cannot be ignored, and that the genres as they exist in North America are a continuing conversation with their own pasts (and futures). For example, we discussed how Northern Gothic as a particularly Canadian genre keeps true to the roots of Gothic Fiction (slow burn horror characterized by the intrusion of the past into the present and fear derived from the subversion of the very things that should keep us safe: family, home, community) and Southern Gothic (Gothic horror rooted in the particular socioeconomic and cultural setting of the American South) by exploring Gothic stories specific to the socioeconomic and cultural setting of Canada. We also discussed what it means to be a settler writing speculative fiction in North America, and how we can navigate acknowledging that there are stories that are not ours to tell while still engaging with the place we call home. Panellists talked about how our own experiences and the stories we may have brought with us interact with the colonialist history of North America.

Reading Recs: Empire of Wild by Cherie Dimaline and Delicious Monsters by Liselle Sambury)

Body Oddity Horror (Saturday May 16, 9:30am): My second panel was the Body Oddity Horror panel, moderated by Tiffany Morris and featuring Krista Collier-Jarvis, Natalie Zina Walshots, Ariel Marken Jack, and myself. As with the North American Fantasy panel, we started out defining “Body Horror” (stories about the horror of being embodied and walking around in a weird fleshy meat-suit that doesn’t always do what it’s told AND/OR anything that gives you “the ick”) and then dove into a really interesting conversation that meandered through the history of body horror, the role of women and marginalized communities in reclaiming body horror from a primarily white, male gaze, and the inherent horrors of disability in the age of screens, pregnancy, childbirth, and menopause. (Yes, our body horror panel turned into a ‘WTF is going on with my body’ convo about the sheer absurdity of peri-menopause and it ROCKED!) We also talked about making sure our stories don’t reinforce harmful social narratives and stereotypes by othering those already othered, and about the body-horror potential of the digital age.

Reading Recs: I spoke a little about “gaze” in body horror, particularly zombie fiction, and how the choice of which bodies are othered by the story is something authors need to be cognizant of in terms of not doing harm. I used Shawn of the Dead, The Dead 2, and Blood Quantum as examples of zombie movies that, respectively: other ourselves (cool), other an already marginalized population from the gaze of a white, male protagonist (not cool), and other a hegemonic, colonizing population from the gaze of a marginalized, colonized population (VERY COOL). If anyone’s interested in reading a more in depth discussion, see my blog post here: https://mdaviesostrom.com/2021/11/10/some-thoughts-on-zombies-othering-and-gaze/

How to Stop Worrying and Start Querying (Saturday May 16, 12:30pm): My third panel was the How to Stop Worrying and Start Querying panel, moderated by guest of honour, agent Kurestin Armada and featuring three agented authors with book deals: E.L Chen, Faith Gladwin, and myself. This panel was much more publishing-industry focused with the aim of providing concrete advice, tips, and resources for participants. Kurestin started us off with a question about the myths we’d heard about querying/representation we’d like to debunk (things like: you need a large online platform or following, or you need previous writing credits) and then led a very useful discussion about the querying process, writing query letters and synopsis, how we chose the agents we queried, etc.

Querying Resources:

Reading Recs:

Extras

On Friday night, we went on the Halifax Ghost Walk with Dusty Keleher, a one hour and 40 minute walk through Halifax’s historic streets, with tales of spirits, ghosts, and all sorts of other creepy things. We had a great time and enjoyed the historical context provided with each story.

On Sunday, after attending a few panels, we visited the Canadian Museum of Immigration at Pier 21 and the Maritime Museum of the Atlantic, both within easy walking distance of the hotel. Both are excellent – well curated, informative, interactive, etc. At the Maritime Museum of the Atlantic, we found the exhibits on the Halifax Explosion and the Titanic very interesting, and also enjoyed looking at the scale models of the various ships that brought immigrants to Halifax. Pier 21 was particularly impactful in light of the current state of things down south (it was hard to hear so many stories about people coming to Canada as refugees or choosing to make our country their home when people with similar stories are being treated so horrifically in the US), and because my own grandparents and aunt arrived in Canada at Pier 21 on March 2, 1948, on the Aquitania (a model of which we saw).

We also took advantage of Halifax’s incredible food scene. We were only able to hit up a few of the restaurants recommended, but we enjoyed everything we tried.

And of course, we bought books! Check out the TriCon haul!

All in all, a great convention. I hear it will be back next year, and fully intend to go. I’ll have a book out by then, so hopefully signings and/or readings will be on offer!

New short story drop!

If lush, eldritch horror born (literally) from a fevered dream sounds like your kind of thing, check out my latest short story, “Heavy Dreams”, in the “A Chronicle of Horrors” charity anthology.

Image of book cover with title "A Chronicle of Horrors" and an image of a Victorian man and woman having tea. They are covered in spider webs, and a large spider crawls down the wall behind them.

All proceeds from this incredible anthology go to support Scares That Care, a horror-themed organization that raises money through auctions, conventions, and annual events, including Brian Keene’s Author Con. Each year, Scares That Care gives a gift of $10,000 to three people: a breast cancer patient, a severe burn victim, and a sick child.

To learn more about Scares that Care, go here: https://scaresthatcare.org/

To find the book, go here:

Read horror, Do good!

There are no straight paths in publishing, or “How anxiety kept me from writing a ‘How I got my Agent’ post, because I’m silly that way”

The “How I got my Agent” post has become somewhat of a thing in writing circles. After all, getting an offer of representation is a milestone worthy of celebration, and many authors take the opportunity to share their experience in the query trenches, give helpful advice, and encourage others to keep on slogging.

I planned to do the same, but when the long-awaited day finally came and the wonderful Becky LeJeune of Bond Literary Agency offered representation, anxiety kicked in about two nanoseconds after the initial elation faded. Kind of a “Woohoo! Aaaaaannnd…nope” situation.

Maybe it was because I’m a bit older and more realistic (read, jaded), or because childhood bullies taught me to knock myself down before anyone else could (still hurts, but at least you see it coming). Or maybe it was because I grew up in family where pride (read, feeling good about your accomplishments, or anything, really) was subconsciously seen as bad luck; just asking for the world to kick you down a peg or two. Whatever the reason, the moment the virtual ink on the contract was dry, I started worrying that doing a “How I got my Agent” post would be bad luck, that my success wasn’t “real” until I actually sold a book. (Yeah, I know. Anxious thought make no sense.)

In my defence, there was a grain of truth behind the cognitive distortions. Having an agent is no guarantee of selling a book, just as selling one book is no guarantee of selling another. Great stories go unsold, editors and agents leave the business, and even seasoned, published authors end up back in the query trenches through no fault of their own. There are no straight paths in publishing. It’s a never-ending labour of love marked by long slogs, frequent setbacks, nonsensical back-tracks, and – if the stars align and the right manuscript lands in the right hands and the right time – the occasional success. But let’s be honest; it wasn’t practicality that kept me from celebrating my success, it was anxiety, pure and simple – a deep-seated and completely illogical fear that sharing my wins would jinx my future. (Anxious thoughts are weird little bastards, aren’t they?)

Well, now my dark fantasy novel RISE FROM THESE DARK WATERS is coming out from Bad Hand Books in 2026, and, while I’m still anxious (because of course I am), I have no excuse. So, without further ado, here’s a bare bones look at my query journey; even more proof that publishing is never a straight road.

  • Queries sent: 146, over two different books
    • Partial requests: 7
    • Full requests: 19
    • Rewrites: 2 major (including a switch from 3rd to 1st person), and innumerable minor
    • Rewrites of query package: 3-4, per novel. If I didn’t get at least one request after 10-20 queries, I revised my query letter.
    • Offers of representation: 1
  • Sales so far:
    • 17 original short stories
    • 3 short story reprints
    • 1 novel (Note: Becky’s offer of representation came on Book # 2, but it’s Book # 1 we sold first)
  • Written in the interim (i.e., between rewrites & while querying and on sub); a pile of short stories, 6 additional novels (5 of which my agent has yet to see), and 1 novella.

Do I have any advice to offer? Only that everyone’s road is different, and the only way to succeed in trad pub is to keep trying. Also:

  • Do celebrate each others’ successes; other authors are our allies, not our competition, and no one outside the writing community will understand the highs and lows of publishing.
  • Do get outside eyes on your manuscript and query package. That doesn’t mean you have to hire an editor, but it does mean finding someone willing to review. Join a writers’ group, trade beta-reads with other authors, or ask a trusted friend…whatever it takes to ensure someone finds those three times you misspelled “canyons” as “crayons”, before you send your MS out…
  • Do make use of online resources like the archives of the late, great Janet Reid’s Query Shark site. https://queryshark.blogspot.com/ (Best query advice there is, hands down)
  • Do join a writing community, whether IRL or online.
  • Do celebrate the milestones (i.e., don’t be me!) Sent a query? That’s a win. Got a form rejection instead of a ghost-pass? A win. Personalized rejection? Pure gold! Request? A win! Break out the ice cream! Offer of representation? WIN! Out on Sub? Distract yourself with cookies (and writing the next thing, but mostly cookies). Book Deal? Party! And cake!
After finding multiple instances of “Canyons” misspelled as “Crayons”, my best friend promised to make me an appropriate cake when I sold Book # 1. Behold the Crayon Cake, in all its glory!

BOOK DEAL! BOOK DEAL! BOOK DEAL!

I am over the moon to announce that my dark fantasy novel RISE FROM THESE DARK WATERS will be coming out with Bad Hand Books in summer 2026. I’ve been dreaming of this moment for a long time, and I’m so happy to be able to share this story weird, heartbreaking story of my heart with the world.

Description:

Min, royal daughter of the elven-like Yhathlin, was born to be a diplomat. Representing her nation at the joint American-Canadian embassy in her subterranean city, she was good at walking the tightrope between the edicts of blood and birth-order that governed her people, the bewildering emotions of her human colleagues, and the strict rules of the Yhathlani Treaty. Then her city was overrun by an apocalyptic plague, and her ordered world disappeared in a flood of blood, teeth, and hunger. 

Now, fifteen years later, Min is a refugee in the dying remnants of Washington, D.C.. Alien and alone, with only the voices of those she’s lost to guide her, she has one reason left to live: to protect Sophie, the last living relative of her human diplomats, or die trying.  

RISE FROM THESE DARK WATERS is an uplifting, genre-blending tale told in an epistolary, novel-in-short-stories format. It weaves between three interconnected storylines. If you enjoy epic political fantasy and love the found-document style and framing narratives of Max Brooks’ DEVOLUTION, this one is for you. 

Pre-orders available now (paperback with signed bookplate): https://badhandbooks.com/preorders/6y7d6ijfrevuvxdgvgyvr5z6q00tay

It’s been a hard year…

I haven’t posted much lately.

I haven’t had the energy.

Some stuff happened, and by stuff, I mean an abusive work situation, a TBI flare-up that tanked my health, doctor-mandated medical leave, the bureaucratic hell-scape that is filing harassment complaints (ongoing, because OMG, there’s no end to the stupidity), finding and starting a new job, and finding out I now have PTSD (thank you, old job…I really need that).

You know, nothing out of the ordinary (insert sarcasm/dark humour here, obviously). Long story short, I had a lot going on. I had to retrench.

Retrench. It’s such a Jane Austen kind of word, but it works perfectly for what I’ve been doing. I’ve been reducing costs, diminishing expenditures, cutting back in extent and quantity. Minimizing, except that instead of finances, it’s social and emotional expenditure. Some people might call it withdrawing or cutting myself off from friends and family, and maybe there was a little bit of that too. There were moments when I was in the worst of things that I couldn’t be around people. I felt spiky inside and out, like my emotions were shards of glass that would cut anyone who got too close – but to me it feels a little more like being wrapped up in a cocoon. It wasn’t intentional – I didn’t make a conscious choice to become the worlds worst correspondent (and I’m very sorry to the friends I left hanging and the new connections I never built) – it was my body doing a quick tally of available resources and deciding to shore up the defences and prepare for a long, hard siege.

Emotions take energy. Strong emotions and traumatic experiences take a LOT of energy, and so does processing and recovering from them after the fact. I’ve spent the last year with almost nothing in the tank. I wanted to do things – visit friends, write emails, craft a blog post – but they were insurmountable tasks. My body was in protection mode, and it saved what little energy I had for the things that mattered most; family, getting my health back on track, and work.

OK, that last one is debatable, and I’m kind of overruling my body there. It’s giving very clear signals which I am ignoring at my own peril, because fuck capitalism. We have a mortgage, bills, and a kid about to go to university, but as Adam so clearly articulates in the post below, being too fatigued for life outside work means I’m too fatigued to work.

No easy solutions, there.

Anyway, I won’t say I’m out of the cocoon yet, but there are some rays of sun creeping in, and one of the things my therapist has been encouraging me to do is look for and savour moments of joy. Glimmers, she calls them. I like that. And because I finally have enough energy to post, I’d like to share some that joy with you.

Here are some of my glimmers.

Our 2023 mother-daughter summer photo project. It can take 100 photos to get a good one…but those good ones are worth the effort. I love these projects – planning the costumes, doing the make-up, setting up the shots…just spending time together. I love that she’ll have these photos to look back on.
It wouldn’t be a mother-daughter photo project without a goofy behind-the-scene teen selfie.
My new tattoo.
My silly little cats, who always know when I need a little extra love and ask for nothing in return aside from food and cuddles. (Yes, I know I look rough…but that’s okay. You’re allowed to look rough when you’re exhausted. Anyway, the cats are cute!)
My daughter turning my guilty-pleasure fascination with accidents and deaths in American National Parks into a kick-ass birthday card.
Having this total bad-ass by my side.

Find the glimmers. They can be anything – a new book, a cookie, a walk by the river or a shared moment of laughter with your best friend…a fleeting second in which you forget about the hard stuff and feel okay. Find the glimmers and savour them.

It’s that time of year again: Award Eligibility Posts!

Most of my publications in 2023 were reprints (No shade – I’m super happy to have my work out in the world in new formats), but I do have one award-eligible short story this year.

My tongue-in-cheek ‘possession meets the-ex-that-just-wont-quit’ horror story, O.A.G.F was published in the Feb 2023 Issue of Cosmic Horror Monthly Magazine (Issue # 32). If you love weird, voicy horror with tough-as-nails girls and loads of Canadian content, please think about nominating and/or considering it for an award this season.

O.A.G.F is available to be read online on the CHM website: https://cosmichorrormonthly.com/fiction/o-a-g-f/

New Publication Announcement Dragon Gems Anthology (Summer 2023 Edition)

Check out my gritty yet poignant SciFi story, Beyond the Clouds, the Stars, now available as a reprint in the Dragon Gems Summer Anthology.

Beyond the Clouds, the Stars was first published in the Brave New Girls: Tales of Girls who Tech and Tinker Charity anthology (2020), in support of women in STEM. I am thrilled to see it out again in this delightful summer collection.

Dragon Gems features stories by Raluca Balasa, Gustavo Bondoni, Sasha Brown, Mario Caric, Jordan Chase-Young, Chris Cornetto, Marc A. Criley, Megan M. Davies-Ostrom, Malina Douglas, Jen Downes, R.E. Dukalsky, Allan Dyen-Shapiro, Lu Evans, LL Garland, Kai Holmwood, Steve Loiaconi, George Nikolopoulos, Antony Paschos, Christopher Rowe, Lauren Stoker, Adam Strassberg, Edgar Strid, DJ Tyrer, and John Walters — and is available in paperback, hardcover and digital formats.

Trade Paperback Editions
Hardcover Editions
Digital Editions

Categories: Anthologies, Dragon Gems, Fantasy, LGBTQ+, Science Fiction, Urban Fantasy